Generating

Editing

Color Grading

Finishing

Cinematic Frames

in Service of Story

Created primarily with

artificial intelligence

László Gaál

© Curated Stills and Videos ビジュアル
(WDX® — 02)
Generative
© Curated Stills and Videos ビジュアル
Generative
© Curated Stills and Videos ビジュアル
Generative

Directing

Freelancer

Post Production

Creative AI

Women
Women
Women

Paving the way for AI content creation.

© Featured Projects プロジェクト
(WDX® — 03)
Creative Development
© Featured Projects
Creative Development
© Featured Projects プロジェクト
Creative Development

Every project merges 20 years of color expertise with generative AI - transforming complex, previously unreachable ideas into high-fidelity films. Built with the speed of AI, refined with a cinematic finish that removes the ‘digital plastic’ common to standard AI outputs.

© Capabilities サービス内容
(WDX® — 04)
Digital Execution
© Capabilities サービス内容
Digital Execution
© Capabilities サービス内容
Digital Execution

Services

(6)

Iterative

Structured

Focused

Visual Language

01

Concept & Story Direction

I translate ideas into clear, cinematic narratives - defining story, tone, and visual direction so complex concepts can be realized as high-fidelity films through AI production.

02

AI Film Production

AI is used as a production medium, not a shortcut. I generate and assemble cinematic footage guided by narrative intent, visual continuity, and directorial control - treating AI as a new filmmaking process rather than a visual effect.

03

Post-Production & Finishing

Drawing on over 20 years of color expertise, I shape the final look of each film refining contrast, texture, and tone to remove the ‘digital plastic’ often found in AI imagery and achieve a finished film with cinematic depth and texture.

Concept & Story Direction

I translate ideas into clear, cinematic narratives - defining story, tone, and visual direction so complex concepts can be realized as high-fidelity films through AI production.

AI Film Production

AI is used as a production medium, not a shortcut. I generate and assemble cinematic footage guided by narrative intent, visual continuity, and directorial control - treating AI as a new filmmaking process rather than a visual effect.

Post-Production & Finishing

Drawing on over 20 years of color expertise, I shape the final look of each film refining contrast, texture, and tone to remove the ‘digital plastic’ often found in AI imagery and achieve a finished film with cinematic depth and texture.

Concept & Story Direction

I translate ideas into clear, cinematic narratives - defining story, tone, and visual direction so complex concepts can be realized as high-fidelity films through AI production.

AI Film Production

AI is used as a production medium, not a shortcut. I generate and assemble cinematic footage guided by narrative intent, visual continuity, and directorial control - treating AI as a new filmmaking process rather than a visual effect.

Post-Production & Finishing

Drawing on over 20 years of color expertise, I shape the final look of each film refining contrast, texture, and tone to remove the ‘digital plastic’ often found in AI imagery and achieve a finished film with cinematic depth and texture.

© Personal Profile プロフィール
(WDX® — 05)
Visual Thinker
© Personal Profile プロフィール
Visual Thinker
© Personal Profile プロフィール
Visual Thinker
Man Back Pose
Man Back Pose
Man Back Pose
Woman
Woman
Woman

From concept and story direction to AI-based production and final finishing, I design films as complete cinematic works. The process prioritizes narrative clarity, visual continuity, and a refined finish that avoids the synthetic feel common in AI imagery. 

From concept and story direction to AI-based production and final finishing, I design films as complete cinematic works. The process prioritizes narrative clarity, visual continuity, and a refined finish that avoids the synthetic feel common in AI imagery. 

Designed, generated, refined. A narrative-first approach to AI filmmaking, from concept to final frame.

© Visual Journal ジャーナル
(WDX® — 10)
Creative Notes
© Visual Journal ジャーナル
Creative Notes
© Visual Journal ジャーナル
Creative Notes
© Awards アワード
(WDX® — 07)
Selected Honors
© Awards アワード
Selected Honors
© Awards アワード
Selected Honors

Articles

(3)

Awwwards

CSSD

Framer

Dribbble

We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image.  - Andrei Tarkovsky 

We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image.  - Andrei Tarkovsky 

© Help Center ヘルプ
(WDX® — 11)
Clarifications
© Help Center ヘルプ
Clarifications
© Help Center ヘルプ
Clarifications

FAQ.

Technique exists to serve expression, not to replace it. — Yasujirō Ozu

01

What’s your typical process like?

02

Can you handle both concept and execution?

03

How much experimentation is part of your process?

04

What parts of the process are still completely manual?

05

Do you usually work alone on the projects?

What’s your typical process like?

Can you handle both concept and execution?

How much experimentation is part of your process?

What parts of the process are still completely manual?

Do you usually work alone on the projects?

What’s your typical process like?

Can you handle both concept and execution?

How much experimentation is part of your process?

What parts of the process are still completely manual?

Do you usually work alone on the projects?